Lively Doctor Who podcast commentaries, plus reviews and discussions of science fiction and fantasy in books, TV, films and more!

Article – Science & Fantasy, Part 1: The New Magic

Splashdown according to Jules Verne...If you think you’re a science-fiction fan, you might have to think again.

Sir Terry Pratchett ruffled a few feathers recentlywhen he claimed that only ‘people who don’t know what science-fiction is, say that Doctor Who is science-fiction’.

To claim the adventures of Matt Smith and Co. are closer to fantasy than sci-fi might feel like stating the obvious but I’m willing to go further and claim that most of what passes for science-fiction in today’s media actually belongs to the genre’s trickier, more nebulous cousin: science-fantasy.
Before we go any further, let’s define our terms. The Collins English Dictionary defines science-fiction as ‘a literary genre that makes imaginative use of scientific knowledge or conjecture’. Those last four words are key. Yes, the writer has to tell a good story, yes the characters should be well rounded and believable but if the narrative doesn’t mine the challenges and pitfalls of science as sources of drama, it ain’t science-fiction.

The Half-Time Score

We’ll be bringing you our verdict on series 5 as a whole very soon. But here are our half-time thoughts on the first half of the series, as polled mid-way through.

What are your overall impressions so far?

Aled: Good, I’ve enjoyed all the episodes, and there’s been a decent mix of Moffat scariness and general Doctor Who bonkers-ness. I like the continuity of the cracks in time appearing in most episodes, though whether they’re good or not will depend on the finale.

Swithun: It’s doing ok- started slowly and had the Victory of Merchandise, but the last two episodes [Vampires of Venice and Amy’s Choice] have seen an increase in quality. Let’s hope some more innovative ideas in the second half of the season.

Peter: Not the seismic shift in tone I’d been expecting; despite a welcome increase in the more overt fantasy elements, the show often seems reluctant to leave its comfort zone and Moffat seems to deliberately ape RTD’s style at times. But we’ve also been offered tantalising glimpses of something fresh and different and I hope we see more progress in this direction as the series continues. Most importantly, Moffat has made the show interesting again! Hoorah!

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Doctor Who – Vampires in Venice – Review

‘Vampires in Venice’ is schlock. Pure and simple. It’s cheesy and silly and daft and sort of naff and everything about it is just brilliant. I really enjoyed this episode.

Now, much like Daleks in World War 2 this is an entire storyline that is entirely set up to appeal to people like me. It’s an entire storyline, much like Werewolves in Scotland, which is perfectly crafted for people who love period creature features. I have a love of alternate history which Doctor Who is a regular vehicle for appeasing. Vampires have a similar place in my heart, being one of those monsters with an iconic set of features that can still be rewritten and crafted to fit the demands of the writer.

There’s almost nothing else that could be so universally malleable as the Vampire. From Anne Rice to Stephanie Meyer, Bram Stoker to Joss Whedon, you have as diverse a range of monsters as is possible. Personally, I don’t care what my Vampires are as long as they suck blood. Make them friendly, let them fly, or walk in daylight, make them mutants, infected, aliens, whatever. Vampires in my book are always cool. It takes a lot more than sparkling in sunlight to turn me away from this.

Making them into fish aliens, yeah, I’ll manage.

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Doctor Who – Amy’s Choice – Review

‘Amy’s Choice’. Right.

They should just have called it ‘Boring’s Boring’. Because it was boring, you see?

Yeah, this was an episode in which Doctor Who finally managed to cross the threshold of common sense and end up in the world of dreams. Not the good world of dreams, mind you, where anything that can happen isn’t just your everyweek Doctor Who plot involving aliens in old people. No, this is the land of boring dreams. Welcome to the land of boring dreams!

Repetition. That’s funny isn’t it. Key to comedy repetition is. Key to comedy repetition is. So it’s a good thing that we get so much repetition in here. It must be funny, right. Here they all fall asleep, here they have a conversation, here they fall asleep again, and then we’ll have that same conversation. Now repeat, through the episode. I guess it saves on them learning new lines, and it makes the writing easier when you can just cut and paste.

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Being Human – Series 2 Review

As the Doctor, Amy and Rory fight Vampires of Venice, I turn my attention to Being Human, also written by Toby Whithouse, and review series 2 of the hit BBC3 comedy-drama about a werewolf, a vampire and a ghost sharing a flat in Bristol.

I discuss the collision of the everyday with the supernatural, self-conscious “darkness”, clichéd Christians and just how good is the actress who was a green spiky alien in Doctor Who at Christmas, and much more. Let us know what you think!

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Doctor Who Commentary – 5.05 ‘Flesh and Stone’

The Doctor, Amy and River Song face the threat of the Weeping Angels! But as the crack in time appears, what do the podcast team think of this series’ ongoing storylines, especially that scene with Amy kissing the Doctor? Join us to find out!

This edition’s commentators: Caleb, Swithun and James.

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