This is the show’s last chance to impress before its mid-season break. Has it succeeded? Kieran Mathers finds out…

Finally. After hours of wandering through the woods, The Walking Dead rediscovers what it’s good at; theatre like intimacy and intensity; emotional engagement; a Mamet-esque development and understanding of male characters. This episode drives the plot forward and gives everyone in the wider ensemble something to actually do. It also features a climactic zombie massacre that would do the source material proud. At long last, it’s television that makes you want to carry on watching.

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AMC’s zombie thriller approaches its mid-season climax, but will we be tuning in when it return? Kieran Mathers finds out…

My word, there’s an awful lot of shouting in this episode! After several plodding instalments, this season’s incipient conflicts finally rear their ugly rotting heads. Gunfights, sex, violence… it’s all here. I won’t call it a return to form because it’s still pretty poor fare compared to much of last season, but it’s almost watchable again.

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Kieran Mathers watches dull things happen very slowly…

I really wasn’t looking forward to reviewing this episode. For the fifth week in a row, the party of survivors wanders through the woods in search of the missing Sophia. There is also friction with the patriarchal Hershel (Scott Wilson) over access to his farm and the liberties being taken by some of the group.

So thank goodness for red-neck hero Daryl (Norman Reedus) whose Touching the Void-style survival exploits reward us with a great series of scenes. His relationship with his missing brother Merle (Michael Rooker), last seen handcuffed to a rooftop in Season 1, is revisited as a means of fleshing out his insecurities about his role in the group, and his eventual acceptance at the end of the episode is lovely – a real highlight.

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After some hit and miss episodes, is there still life in AMC’s zombie horror series? Kieran Mathers finds out…

As a series, The Walking Dead has never aspired to the sprinting pace of 28 Days Later’s “infected”, and is usually content to amble along like a good old fashioned Romero zombie. But now it seems the series is degenerating into a legless corpse, dragging itself hand over hand, week by week, despite some occasional spikes in activity.

This week, our characters clear a well. Seriously, they hoist a zombie out of a well. Daryl (Norman Reedus) takes a walk in the woods and the little girl whom the audience no longer cares about is still missing. Some cars move … that’s about it.

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