Torchwood Spoiler-free Preview – Miracle Day 2, ‘Rendition’

Jack and Gwen head to America

Caleb Woodbridge looks ahead to ‘Rendition’, episode 2 of Torchwood: Miracle Day. But is it in-flight entertainment or mid-Atlantic pitstop?

Last week’s opener ‘The New World‘ seemed dedicated to putting the pieces on the board. With Rex Matheson extraditing Torchwood to America, you might expect episode 2 to be all systems go as the Torchwood team start investigating the “miracle”. But whereas Rex’s hop across the Atlantic took place between scenes, Captain Jack and Gwen Cooper find themselves in mid-flight peril.

It’s entertaining conspiracy hokum if that’s what you’re after. But the spy-thriller elements seem somewhat divorced from the much more interesting issue of the Miracle itself. The best scenes are those not involving the Torchwood team, but those that continue to explore its impact. Bill Pullman as Oswald Danes continues to steal the show, with Arlene Tur as Dr Vera Juarez also putting in a very strong showing.

There’s an important but credulity-stretching scene that echoes a comedy moment in series 4 of Doctor Who. But whereas Doctor Who could get away with it, it doesn’t convince as easily here, though your mileage will probably vary – it’s already divided opinion among American viewers. Believability takes a definite back-seat to dramatic effect on several other occasions too. I don’t mind suspending my disbelief, but this week I had to hang, draw and quarter it.

There are some great lines, my favourite being “I’m American, too. Can’t I contribute to our global cultural hegemony with a nice frosty cola?” We also meet Jilly Kitzinger, played to perfection by Lauren Ambrose as the annoying, smarter-than-she-lets-on PR lady. So it does have its redeeming moments, but so far is a long way from matching the quality of Children of Earth.

Check back 10pm Thursday night after UK broadcast for our podcast commentary on ‘Rendition’!

Torchwood Review – Miracle Day 1, ‘The New World’

James Willetts aims his bazooka of truth at the low flying helicopter that is Torchwood: Miracle Day

Ever since RTD launched Torchwood as a spin off for Captain Jack in an attempt to make a more adult science fiction show, the programme has struggled to find a format that works. ‘Miracle Day’ is the latest attempt to keep Torchwood relevant, coming after two largely ignored seasons of varying quality, and a miniseries that was a critical success.

Following the idea of ‘Children of Earth’, a single storyline over a shorter amount of time, T:MD is a chance to prove that the achievements of the previous itineration have not been lost. More crucially, it’s a chance to prove that serious science fiction (or at least adult science fiction) can work. Since the last Torchwood there have been few attempts to launch big budget science fiction series other than the execrable Outcasts, and there seems to be no sign that the success of the last miniseries has sparked a surge in the desire for further science fiction output. Even as Doctor Who continues to hold strong (or lose ground, or plummet towards inevitable disaster, depending on who you listen to) other franchises have found it difficult to gain a foothold.

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Torchwood Commentary – Miracle Day 1 ‘The New World’

Gwen Cooper (Eve Myles) protects her baby daughter Anwen from the forces of darkness in Torchwood: Miracle Day

As Torchwood goes trans-Atlantic in Miracle Day, co-produced by Starz and BBC, we dissect the show that just won’t die! But has it maintained the quality of Children of Earth or returned to the depths of Cyberwoman?

Join Caleb Woodbridge, P.G. Bell and Swithun Dobson in our commentary on Episode 1, ‘The New World’, as we discuss John Barrowman’s “acting”, the dangers of immortality, dodgy Welsh geography, the talents of Michael Bay and much more!

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What did you think of episode 1? Is Russell T Davies’ latest effort another classic, or has it yet to hit the mark? Is the American/Welsh combo a match made in heaven or a dog’s dinner? Let us know in the comments, and don’t forgot to read our spoiler-free review of The New World

Torchwood Miracle Day – Spoiler-Free preview/review

Caleb Woodbridge and Swithun Dobson look ahead to Torchwood: Miracle Day – we’ll have our commentary on episode 1, The New World, online immediately after UK broadcast. Don’t forget to check out our Children of Earth commentaries (Day 1, Day 5and interview with Gareth David-Lloyd!

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Caleb’s spoiler-free review:

Miracle Day opens with Oswald Danes, a murderer and a paedophile, about to be executed by lethal injection. It’s a clear statement of intent: Toto, I don’t think we’re in Doctor Who any more. Like its immediate predecessor, Children of Earth, this series looks set to take a twisted sci-fi look at the dark side of our humanity…

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Article: Doctor Who’s Story Arc of Infinity (and Beyond?)

Are you a fan of Doctor Who‘s new format? Podcast commentator Swithun Dobson (a.k.a. “The Great Intelligence”, a.k.a. “The Beast”) certainly isn’t and turns his critical eye on the past to suggest how the show might evolve in future.

Deafening Silence, River Melodies and “shenanigans”. Are story-arcs the future of Doctor Who? Since Steven Moffat acceded to the showrunner’s throne, the series has tended toward more heavily-arced narratives. Last year it was the Crack, this year it’s the not-so-silent Silence.

For the purpose of this article a story-arc will be defined as a continuing narrative which is directly related to each individual episode over a significant period of time, normally a single series. This definition should be treated as the gold standard against which other series can be compared, to determine their arcedness. (Bad Wolf, for instance, wasn’t an arc – it was an afterthought).

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Doctor Who – A Good Man Goes to War – Review

Amy and Melody Pond

James Willetts reviews the mid-series finale, with a somewhat less positive take than that of this week’s commentary team. Who do you agree with? Let us know in the comments!

If the first half of the episode was all about building the Doctor to be an all-destroying Action Hero, crushing everything in his path, the second was all about drawing him back from that path.

I’ve written a couple of times this season about my unease at the way the Doctor seems to solve problems with battles, and I’m glad that it was addressed here. I recognise that there is an intrinsic problem in television in showing conflict-resolution which doesn’t involve stuff blowing up. The problem many people have with much of Star Trek is the endless diplomacy. No one wants to see the Doctor changing people through dialogue and mediation with no running around and shouting. That’s boring, even if it is a better, more realistic route.

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