Things are hotting up in Westeros but Kieran Mathers wonders just how far a show should go to keep its audience interested. Perhaps the Starks just need a brisk walk…

An awful lot of Game of Thrones is exposition. It’s not a police procedural, after all, and the world has to be defined through dialogue as there is little else to relate it to an unfamiliar audience. Disguising this exposition is one of the hardest tricks for a writer to pull off. One solution is to have a distraction or a gimmick to make such scenes more visually interesting. TV is a visual medium and has been taking advantage of this for a long time.

A great example of this is The West Wing. To keep expository scenes interesting, writer Aaron Sorkin made the characters walk. It didn’t matter where they were walking, just that the dialogue had some action to it. He later admitted the only reason he had done this is to stop characters talking to each other statically, and in the process created a new verb: ‘To sorkin’ – the act of walking fiercely in one direction while holding a rapid-fire conversation. Intelligence and a good sense of direction is required.

However, Game of Thrones has discovered something different in the form of visual gimmicks: noble butchery and … sigh … lesbian tryouts. I wish I were kidding.

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HBO’s headline fantasy series is gathering pace and our reviewer, Kieran Mathers, is enjoying the ride… As always, some mild spoilers lie ahead. If you’re new to the world of Westeros, be sure to check out our primer.

Gosh. When you don’t think it can get any better, this show manages to up the bar once more. There is so much good to talk about in this episode that I’m going to get the bad out of the way first so we can enjoy what was yet another spectacular episode.

I probably should have mentioned this last week, but I hate what they’ve done with the Eyrie. It is the first major visual misstep (barring plaster) that the show has made. In the books, the Eyrie sits atop a mountain spur, higher almost than the clouds, an impregnable fortress with an incredibly treacherous path leading up to it. It could have looked absolutely amazing, with stunning views from the top – a smaller Minas Tirith of the mountains.

What we get instead is something that looks more like the Dome of the Rock – a temple rather than a castle. For some reason it also appeared to have taken over a small hilltop instead of a high mountain crag.

I think I can understand why the show’s designers decided to do it that way, thinking perhaps that each area has to be visually distinct. But to fall into the trap of thinking that the Eyrie should not have stone walls and battlements because the other castles we have seen also possess those is akin to saying a dog is a cat as both have fur.

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Swords are finally clashing in Game of Thrones and our reviewer Kieran Mathers is on hand to pick over the aftermath. As always, this review comes with a mild spoiler warning. If you’re new to Game of Thrones, don’t forget to check out our primer!

At last we get some meaty and considerable violence! Headless horses, charging knights, sweeping swords, battering shields and brother-on-brother duelling – this is combat at its most graphic, and all the stronger for it. The violence of G.R.R. Martin’s prose is not lessened, and is all the more horrifying to see. In fact, this episode is all about violence and its consequences. You also get noisy blowjobs, but hey, it’s HBO.

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