Author Archives: James Willetts

About James Willetts

James left Cardiff to go back home to Birmingham. He likes comic books, movies and comic book movies. He got into Doctor Who with the relaunch and is still painfully ignorant of any incarnation before 9. His favourite film is Jurassic Park and his favourite X-Man is Colossus. His Grand Unified Theory of Die Hard proved that Die Hard With A Vengeance was actually rubbish. In his spare time he paints pictures of Godzilla. Jonathan Ross follows him on Twitter.

Doctor Who Commentary – 3.0 ‘The Runaway Bride’

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Our Christmas countdown continues as Sarah Burrow, Swithun Dobson, James Willetts and P.G. Bell revisit Catherine Tate’s fan-baiting debut as companion-to-be, Donna Noble. “For better or for worse…”

There’s no denying that comedian Catherine Tate is the heart and soul of the 2006 Christmas special. But did we love her or hate her? Join us as we pick sides and discuss other noteworthy aspects of the show’s second festive outing, including: cliffhangers, cleavage, Gallifrey, and why Torchwood would need Segways.

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Podcast: Play in new window | Download (Duration: 1:12:09 — 66.1MB)

And there’s still more to come! Visit again next week when we’ll be discussing ‘Voyage of the Damned’. Was it really a disaster in every sense? Until then, head down into the comments section and let us know what you thought of this latest podcast.

Doctor Who Commentary – 2.0 ‘The Christmas Invasion’

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Tis the season to be jolly! In the first of a series of festive treats, Swithun Dobson, P.G. Bell, Sarah Burrow and – specially flown in from the North Pole – James Willetts revisit the very first Doctor Who Christmas Special, ‘The Christmas Invasion’.

Remember when the show was still trying to prove itself? When David Tennant was the new kid on the block? When we had yet to visit an alien world? It all seems so long ago now, so how does this yuletide special hold up to scrutiny? Join us as we discuss killer Christmas trees, why the Doctor doesn’t like Christmas and try to think of some other Christmas-themed entertainment that’s actually Christmassy. (Here’s a clue… Die Hard).

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Podcast: Play in new window | Download (Duration: 1:09:32 — 63.7MB)

How did you like this blast from Christmas past? We want to hear from you! Head down into the comments to share your thoughts, and be sure to come back next week for our next Christmas Special commentary – ‘The Runaway Bride’.

Doctor Who Review – 6.10 ‘The Girl Who Waited’

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James Willetts brings us his review of ‘The Girl Who Waited’! Don’t forget to check out our commentary, and let us know what you think!

What can you say about The Girl Who Waited? Well first of all, it’s brilliant. Secondly though, it’s yet another chance for the cast to showcase just how great they are.

I was speaking to someone the other day who complained that since RTD left Doctor Who hadn’t been the same. They were right. It’s got better. This has been touted as a little bit like Turn Left, but it’s as superior to that as the Original Trilogy is to the Prequels.

This isn’t just look what happens if the Doctor dies, if you make the wrong choice, go through the wrong door. This is what happens if that wrong decision is compounded again and again. None of it malicious. This wasn’t a trick to make things deliberately worse. This wasn’t a world threatening sequence of disasters. It was one woman who pressed the wrong button and ended up in a different time stream. That’s it.

In fact the whole theme of this episode was choices. It opens with Amy making the wrong choice of what button to press (but it was one that Rory and the Doctor could easily have made too), hinged upon Amy making the decision to work with Rory to save her younger self, and ended with the Doctor leaving Rory to make the choice about which wife to save.

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Doctor Who Review – 6.09 ‘Night Terrors’

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Scary for scary’s sake? Reviewer James Willetts asks whether last Saturday’s episode had more to it that meets the (glass) eye…

There’s a lot of talk a lot of the time about how scary new-Who can be. How it’s somehow unsuitable for children, as though terrifying them about a fictional monster is in some way going to emotionally cripple them for life. It’s an argument that most people, thankfully, have little time for, and I bring it up because ‘Night Terrors’, an episode which was seemingly designed simply to scare the crap out of small children everywhere, actually addresses it. It’s a nicely meta moment that sums up everything else within this episode; a child’s father mentions that, to stop him being scared, they banned scary television.

It’s probably a common response. If you read the message boards and speak to parents they often worry that Doctor Who may be unsuitable for their child. As though mild peril with a through-flowing message that everything will be alright in the end is a bad thing.

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Doctor Who Review – 6.08: ‘Let’s Kill Hitler’

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James Willetts. Doctor Who. Review. Need we say more?

There’s something wonderful about Nazis. Not in a weird way – I’m not one of those people. But if you want someone who can exist as simply a villain, with no qualms, morality or care for their welfare, Nazis are brilliant. Always have been. Forget Islamic terrorists, the Soviets or whatever super villain society you can conjure up; if you want an unquestionably evil bad guy, you have to go with Nazis*.

And Hitler, now Hitler is just a whole other level. If Nazis are bad, then the chief Nazi must be so much worse.

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Torchwood Review – Miracle Day 6, ‘The Middle Men’

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Reviewer James Willetts weighs in on the latest episode of Torchwood. Has his patience finally paid off?

With a single episode Torchwood has sparked a resurgence, albeit one that may well have come too late for the casual viewer. After five weeks of lethargically plotted, unyieldingly slow story, we’re finally rewarded with three ongoing plot threads that are equally relevant and interesting. It’s hard to believe that this is the same series.

Whilst Rhys and Gwen try to break her father out of the Welsh concentration camp, Jack does some investigative work into PhiCorp and Rex and Esther set out to reveal the truth about the death of Dr Juarez.

Rex and Esther are both given a chance to shine here and, after five weeks in which neither have shown much in the way of engaging characterisation (Esther in particular having suffered from a bad case of the ‘Nobody Cares-ies’) it’s certainly refreshing to see them both engaging in some plot advancing escapades. Their story also benefits from a series of scenes which successfully build the tension as Rex digs himself deeper and deeper into trouble.

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